Sara Watches Stuff

It's so much easier to write about bad films than good ones. I am overflowing with thoughts to share about the most memorably awful movies I watched on my trip - I really, really want to talk about Geostorm  - but there's very little I can say about Guillermo del Toro's newly Oscar winning film about a woman who falls in love with a fish man that has not already been said. You don't need me to tell you that del Toro makes beautiful movies, or that the creature creation in this (though no Pan's Labyrinth ) is spectacular. You don't need me to tell you that the visual effects in this are phenomenal, or that the music is wonderful, or that it transported me to another world. If you're looking for reviews of The Shape of Water at this point in 2018, what you need me to tell you is that a movie featuring not only boning down with a fish-man but also a female masturbation scene and a disabled woman finding her agency. If the main playing field of this blog is femi...

Inevitably, we come to the time of year where the big awards are being handed out and the Oscars are upon us and it turns out I have not seen any critically acclaimed movies this year. Well, except Get Out , which I am so happy to see getting the recognition it deserves. There's a whole rant brewing about social commentary being dismissed by horror fans (because scariness is all that matters) and not being taken seriously by the broader community (because it's just a scary movie) that totally disregards the excellent direction and writing and overall work in a movie like that. My other favourites from the year were a little left of centre: Raw  deserved something for Foreign Language but it was one of the more visceral horror films around and  Colossal  was technically screened at TIFF 2016 and it was pretty weird. I do tend to make it a mission to see films with lots of buzz, because I want to be educated before I make any sweeping statements on them. While trailers ...