Sara Watches Stuff

This is not going to be a traditional movie review because as you will have read, I have nothing new to say about the movie other than the fact that it was garbage and I am disappointed in everyone involved.  I can't give a plot summary, because the story hasn't changed from adaptation to adaptation, nor from the initial novel. I can't praise the acting, because everyone is playing their lazy roles, doing whatever exerts the least energy to earn a paycheck. I can't say much for the scenery, because the movie is spent on a train in the snow bar a scene or two in Jerusalem and embarking on the train journey.  I can't really say anything, other than the fact that I hope Daisy Ridley and Leslie Odom Jr. and Lucy Boynton and the couple of other people in this movie that I don't mind had a fun time shooting with all of their peers, and that I'm glad Johnny Depp's character died pretty quickly so that I didn't have to look at his face for too long. Ra...

I have seen so many genuinely good movies over the last few weeks - I saw The Shape of Water ! I projected lots of things on to Call Me By Your Name ! - and yet all I want to talk about is this godawful disaster movie with Gerard Butler. It takes place slightly in the future, where climate change has been stabilized and then...destabalized, for nefarious purposes. Gerard Butler is a space scientist who needs to fix climate change, obviously, and Jim Sturgess is his brother in the government trying to solve things back on Earth. It's absolutely buckwild. Think The Day After Tomorrow , but everything is worse. It's amazing. They spend so much of this movie counting down to the titular geostorm, but we are never actually given a proper explanation for the storm in question. The characters shout buzzwords and phrases and I'm not sure anyone understands what's actually happening. The president gets to say things like "Because I'm the goddamn president of the Uni...

It's so much easier to write about bad films than good ones. I am overflowing with thoughts to share about the most memorably awful movies I watched on my trip - I really, really want to talk about Geostorm  - but there's very little I can say about Guillermo del Toro's newly Oscar winning film about a woman who falls in love with a fish man that has not already been said. You don't need me to tell you that del Toro makes beautiful movies, or that the creature creation in this (though no Pan's Labyrinth ) is spectacular. You don't need me to tell you that the visual effects in this are phenomenal, or that the music is wonderful, or that it transported me to another world. If you're looking for reviews of The Shape of Water at this point in 2018, what you need me to tell you is that a movie featuring not only boning down with a fish-man but also a female masturbation scene and a disabled woman finding her agency. If the main playing field of this blog is femi...

It's very hard to be fair on Love, Simon  when it is so clearly a coming-of-age movie for teenagers because I want to hold cinema about LGBT youth to such a different standard. That's wrong on my part, because gay film should be allowed to be phenomenal and terrible and also just mediocre. At the same time, as a Vocally Bisexual Woman with my own complicated views surrounding representation and stereotype, I want to see great media about my own story and the stories of my friends and the stories of other people who deserve to see themselves in the things they consume. In many aspects, Love, Simon was successful! As a story of a gay youth working out high school, it is deft in its handling of sexuality and relationships. Sadly, as a teen high school movie, it's more than just awkward. The plot of the movie is not unfamiliar. We're introduced to the eponymous Simon, played by Nick Robinson (not, thankfully, the gross games journalist of the same name), who tells us that...

Inevitably, we come to the time of year where the big awards are being handed out and the Oscars are upon us and it turns out I have not seen any critically acclaimed movies this year. Well, except Get Out , which I am so happy to see getting the recognition it deserves. There's a whole rant brewing about social commentary being dismissed by horror fans (because scariness is all that matters) and not being taken seriously by the broader community (because it's just a scary movie) that totally disregards the excellent direction and writing and overall work in a movie like that. My other favourites from the year were a little left of centre: Raw  deserved something for Foreign Language but it was one of the more visceral horror films around and  Colossal  was technically screened at TIFF 2016 and it was pretty weird. I do tend to make it a mission to see films with lots of buzz, because I want to be educated before I make any sweeping statements on them. While trailers ...

It's the end of the year, and the film snobs of the world are reflecting on their years in pop culture. As one of the gang - now with my very own bogus DMCA notice! - I figured I would jump on in. Of course, there are lots of caveats to that. I live in Australia, where several of the last quarter films with award potential have their wide release withheld til the next year. I don't go to previews, with the exception of the occasional rubbish horror movie, and I am not drawn to a lot of wide release movies. Dunkirk ? More like...um... done-urgh . A lot of it is to do with my exhaustion with male narratives and a lot of the industry's treatment of women and anything non white or heterosexual, both real and in fiction. I love the art form, but it's been a tough year for trying to avoid content that would make me extremely angry in a very real way. As mentioned previously, I haven't seen any new releases - it's been the busiest time of the year in my sector - so ...

It's that magical time of year...where Love Actually plays on television at least once a week.  There is nothing to be said about Richard Curtis' personal masterwork on the magic of love that someone on the internet hasn't already said. I'm partial to the Christmas countdown of daily Love Actually watches by Courtney Enlow at Pajiba , personally. Christopher Orr at The Atlantic offers what came to be a pretty standard modern response to the movie, in that it is a piece of junk depiction of romance. Lindy West at Jezebel broke it down. On the 10th anniversary of Love Actually , the world learned to hate it. Michael Koziol penned an interesting piece in defence of the movie at The Gaurdian; also at Pajiba, Joe Starr with one of my favourite hot takes entitled " Love Actually is a problematic movie and ugh who f*cking cares?" .  Let's focus on the more important things, people! Were we really all still wearing turtlenecks in 2003? There is not nearly e...